If you're born in the U.S. with a yearning love of classical scholarship and no college education, you are awed by a school in which for centuries boys have learned to read and write Greek and Latin fluently by the time they're in their teens. PB took me into the original classroom, five hundred years old, and made me sit at one of the desks. They're dark, heavy oak, thickly covered with boys' initials scratched into the wood with pocket knives. Five hundred years' worth of boys' initials is something to see.
We went into the chapel where the senior boys worship, there's a roll book hanging from the aisle pew of each row so that every boy's presence can be checked off by a monitor. We read the names in one - 'Harris Major. Harris Minor. Harris Tertius.' - Eton never does in English what it can do in Latin.
Along the hall outside the classrooms the high oak walls have names cut into them as thickly as the initials in the desks. PB told me when a boy graduates he pays a few shillings to the college to have his name carved in the wall. We saw Pitt's name and Shelley's (and PB showed me his own). You could spend a month crawling up and down the walls looking for names.
...We went outside and saw the playing fields where all those wars were supposedly won. Boys were playing cricket, a few strolled by swinging tennis rackets. On Saturdays the boys are allowed to wear ordinary sports clothes but we saw several in the Eton uniform: black tail coat, white shirt, striped trousers. PB says they don't wear the top hat any more except on state occasions. (Those top hats kept the boys out of trouble. If an Eton boy tried to sneak into an off-limits pub or movie, the manager could spot that top hat from anywhere in the house and throw him out.)
The faces of the boys are unbelievably clean and chiseled and beautiful. And the tail coats - which must have looked outlandish in the 1940s and the 50s - look marvelously appropriate with the long hair the boys wear now. What with the cameo faces, the long hair brushed to a gleam and the perfectly cut tails, they looked like improbable Edwardian princes.
from 84 Charing Cross Road by Helene Hanff
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